Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Thursday, March 26, 2015

Flyboy Action Figure Comes With Gas Mask: A Book People Should Read

A couple of months ago, my friend dan recommended Flyboy Action Figure Comes with Gas Mask, a book I'd never heard of by some Canadian guy I'd never heard of. I'm glad he did, I'm glad I read it, and I'm glad to upgrade author Jim Munroe to the short list of Canadian Guys I Have Heard Of.

Authentic Canadian Cover for Purists


Cover for the American Release


Flyboy is about Ryan, a Toronto college student whose secret power is that he can turn into a fly. He meets Cassandra: she's a waitress, a single mom, and the former singer for a famous-in-certain-circles punk band. She can make things disappear.

It doesn't take much reflection to figure out that Ryan's superpower kind of sucks. Flies are annoying, but powerless; they can be fairly easily swatted, or trapped, purposely or accidentally. This is underscored from the first scene in the book, when one of Ryan's roommates smashes a fly on Ryan's bedroom wall, leaving behind a bloody smear that never gets cleaned up. To further complicate things, Ryan returns to human form buck-ass naked, and, if he's been a fly for very long at all, covered from head to foot in a layer of viscous green slime.

On the other hand, it takes Ryan and Cassandra awhile to figure out just how awesomely powerful she is. They join together as Superheroes for Social Justice, and lend their powers to the social and political action they're already part of, a community of young activists who deface offensive billboards and attend hastily-organized political meetings in the damp basement where they also attend terrible poetry readings when they're not busy organizing this year's Take Back the Night March.

As someone who was part of a community just like this back in the 90s, when the book takes place, I found Ryan and Cassandra's community very familiar and comfortable, and would hand it to my kids to read with the introduction, "Just imagine that everyone in this book is a lesbian, and, except for the superpowers thing, this is exactly what my life was like in my 20s."

Cassandra and Ryan don't want to hurt anyone; their goal is something more like civil disobedience, and shaping creative punishments to fit the crimes of the powerful. For instance, angry that the police did not respond to the organizers' request that officers assigned to the TBTN march be female and unarmed, they march the route, Cassandra disappearing each officer's gun as they come into sight. They then introduce themselves in their thrift-store superhero costumes and make a statement to the press

The news coverage, when it comes, focuses on Cassandra's looks, and they punish the newspaper's sexism by driving around late at night, disappearing newspaper boxes. Ryan drives, and after awhile Cassandra slips into inattention, looking up quickly and doing her thing when Ryan tells her they've reached the next box.

This inattention is how she accidentally disappears a mailbox.

R & C are so conscientious that the disappearance of the mailbox bothers them on its own merits: "What if there were personal letters in there?" one of them says. But from there, the "what-ifs" pile up. What if instead of a mailbox, there had been a person there? Cassandra already knows she can disappear people; her power manifested when she accidentally disappeared an uncle who was trying to molest her when she was six. She and Ryan start speculating about the limits of her power. "Could you disappear the sun?" Ryan wonders. Cass doesn't want to think about it.

The superhero storyline is fun, and thoughtfully played out: Ryan's relatively weak power makes him, inevitably, the sidekick, and it's a lovely thing when a straight white guy ends up the sidekick to a bisexual woman. As a fly, he can observe (he helpfully retains his brain and ability to read), but his power to act is very limited, and there is a tense scene in the book when he is witnessing something terrible and can neither escape from having to see it, nor stop it. Cassandra's power, on the other hand, is almost infinite. She is ultimately faced with knowing she can stop a terrible thing, but only by doing a terrible thing. Can she do it? Can she live with herself if she does?

I don't love this book for the superhero stuff, though. I love it for the way that Ryan and his male friends are trying to navigate their relationships and their place in the community they've chosen. They are white guys trying to be decent white guys, and their efforts are touching. They want to be supportive of each other but aren't sure where the lines are; they want to be decent to the women in their lives, but aren't sure they know how. Ryan's friend Jack gives him The Female Eunuch to read at one point, and I admit that touched my crusty old battle-hardened feminist heart.

I love a moment, too, when Ryan, just getting to know Cass, is so overwhelmed by her vocabulary and intelligence that he has to curl up in a ball for a minute. A few pages back, he was admiring her looks, but it's her brain that renders him speechless. Ryan and Cass meet with one of her exes, who is territorial and hostile with Ryan. Later, Ryan wonders out loud what it means that he didn't feel threatened by her behavior, whereas he thinks he would have if she'd been a man.

Cass says, "It means you don't see a woman as a realistic competitor for a sexual partner. It means you're a little bit sexist, and a little bit homophobic."

Ryan thinks, "Ah. Good to know." (paraphrased from memory here)

I have three sons, and I would give them this book to read because they would be into the humor of it, and the superhero stuff. But I would really like them to see, too, the way Jim Monroe portrays male friendship, female friendship, community, and romantic relationships. 

I did roll my eyes at Cass's Perfect Fiction Baby. As is so often the case in books and movies, Cass is a single mom who rarely suffers the real challenges of single motherhood. She says, "Just let me put the kid to bed and I'll be right back," and emerges from the bedroom a peaceful five minutes later. When adult conversations need to happen, the child entertains herself endlessly with toy cars; when an adult conversation has to happen in a restaurant, the child interrupts only once, and then only briefly, despite having nothing to entertain herself with but a napkin and a pair of chopsticks. Cass's apartment comes equipped with a Child-Loving Older Woman Who Lives Alone In The Apartment Downstairs, and who is so delighted to watch Cass's child that neither Cass's job, nor her social life, nor her political activism, have to suffer; Cass can set her own schedule and be relied upon to keep it, while the grandmotherly neighbor picks up the extensive slack.

I get that these kind of fictional children are an expediency that allows writers to include children in characters' lives while telling stories that are not primarily about parenthood and children. Along with everyone's bathroom habits, most of the meals they eat, the haircuts they never mention getting unless it's central to the plot, and the bills they must be sitting down to pay at least sometimes, most childrearing challenges take place off-stage so as not to bog the story down. I'm still in a stage of parenting, though, where I'm very aware of the enormous disconnect between these fictional children and the real thing, and so I can be forgiven an eye-roll or two.

You can buy copies of the book at Jim Munroe's website, No Media Kings, and I recommend you do. Munroe offers a pay-what-you-can ebook option as well. dan also recommended Munroe's book Angry Young Spaceman, if I recall correctly, and I look forward to reading that next.

Monday, February 28, 2011

Premature Curriculum Review: Home Science Adventures

Last spring and this fall, the boys and I used a science curriculum from McRuffy Press. It's a scripted curriculum, meaning if you want you can just read off the page for the lessons, and comes with a kit that includes everything you need. We liked it pretty well; one of its weaknesses is that, like many elementary science curricula, it jumps around. One lesson you're doing bats, the next you're talking about electricity, and the one after that, classification. But the boys liked how hands-on it was, and I liked having everything in the box. The materials include games based on the lessons; the boys didn't care much for those and we mostly ended up skipping them.

When we finished the year's worth of McRuffy Press science we had, I considered buying another year's worth. But they only go through third grade in science, and the sample lessons looked both repetitive with what we'd already done, and kind of basic even for Carl, who's notionally a first-grader this year but who is a little advanced academically, I think.

I tried Building Foundations of Scientific Understanding. I loved the idea of it--a comprehensive elementary science curriculum that focuses on the underlying practices and concepts of science. It seemed well-structured and like kids would really understand not just specific science facts and concepts but some things about how science works. And I liked the price: just $24 for the book.

In practice, I found it unusable. It's the kind of science curriculum that "just uses objects you have around the house!" But I never have the objects. When I ended up going to three stores to find a certain kind of balloon for one lesson, I was about ready to give up. I am learning to accept about myself that I don't want to have a long planning time for our homeschooling, so a curriculum that required me to think a week or more ahead about what supplies we'd need, plus take the information in the book and figure out how to make a lesson out of it, was just too labor-intensive for me.

In addition, the book is poorly laid-out; there are no chapter headings, for instance, so it can be difficult to navigate to the lesson you're looking for, or tell when you're there.

I've been on an e-mail list for families using BFSU, and so I know that some people have made it work for them and love it. And the lessons we did manage to do went well. But I now admit that I want something more packaged and more structured; with such an up-front commitment in prep time, I found with BFSU that we were ending up not doing science because I hadn't found time for the planning.

When I happened across Home Science Adventures, I knew the boys would love it. It's all hands-on science activities, organized into six topics: light, insects, microscope explorations, astronomy, birds, and magnetism. You can buy individual topics or sets of three. It's designed to be used with multi-age groups of kids.

I wasn't sure, from the website, whether it would provide the kind of information about scientific methodologies or topic-spanning concepts that I also wanted the kids to be exposed to. But I decided to try it, on the strength of the boys' enthusiasm, with the thought that I could supplement it with additional readings if needed.

We bought a three-topic set: Light, Insects, and Microscope Adventures. It comes with one pocket microscope; I paid for two extras, because I am wise.

So far, we've done 3-5 lessons in each topic, and the boys are loving it. The lessons are brief and very much focus on the kids experimenting and thinking about what they find. They're encouraged to record and analyze data; Eric and I did a lesson in the Light topic today that asked him to analyze the chart of data he'd made and predict what would happen next. The Insect Lessons have been less "here is the life cycle of the honeybee" and more, "How do you classify these bugs? Which characteristics define an insect?" I loved that the first couple of lessons in Microscope Explorations taught about using the microscopes not by giving instructions but through experimentation: "OK, now do this. What happens?" The kids were invited to learn through experimentation that the image in the microscope is both reversed and upside-down, and to figure out that, although it says on the side that they magnify 30x, they really magnify about 22x.

So, the stuff I was hoping to expose the boys to, about how science is practiced, and about concepts like classification that transcend a single topic, seem to be worked in.

And, I must say, when they say everything you need is in the box, they mean it. They don't assume you have scotch tape; it's in the box. If you're going to need paper cups for a lesson, the paper cups are in the box. There's a packet of honey, a paper clip, and a spoon in there. The only things you're going to need that aren't included are an onion and a slice of bread, and I'm pretty sure if they could have figured out how to include those, they would have.

The website claims that the 43 lessons in our box will constitute a whole year's science if done once a week. While that's technically true, I suppose, we find that the individual lessons (contained on one double-sided piece of paper) are so short and engaging that we usually do 2-4 at a sitting. In addition, my boys love science, and are enjoying these kits, so much that I expect we'll do science more like 2-4 days a week. So this isn't a year's curriculum for us, I don't think. But I think it's going to be a very fun few months.

Monday, January 24, 2011

January Reading: Three Book Reports

So, when the new year started, I was in a reading lull. I didn't have many books home from the library, and hardly any in my hold queue. I felt sort of tired of all the kinds of things I usually read, and like I'd just been thinking too much about too many things and needed to give my brain a break. So, I decided, I would devote my reading in the new year to genre fiction, and avoid reading anything else on certain worn-out topics, like politics, education, and parenting.

I have been half-successful. I've read some science fiction, including Nick Harkaway's The Gone-Away World, which I just finished this morning and was very impressed by. It's one of those books that seems only OK--good in the gonzo, perfect-action-man tradition of Spider Robinson's Callahan books, John Scalzi's Old Man's War series, and certain Heinlein. But then, about halfway in, the pieces start coming together in a very satisfying way, and it becomes a really good book, and you admire the author for having the patience to create a set-up 250 pages long. I was completely surprised by the twist around page 400, even though the twist suddenly made all these things that had nagged at me ("Why does he never talk about his parents?") make perfect sense. I picked up that something was off; I didn't figure out what it was. That's a good twist.

I have set aside The Gone-Away World for David, instead of putting it right into the library bag to be returned. Though, as I told him this morning, I'm not sure I want him to read it even though I am sure he'll like it. Because he is smarter than me in certain ways and he will figure out the twist in about 100 pages, and then I'll feel stupid.

Of course, I've forewarned him: he knows there's a twist. So he has an unfair advantage. In addition to the one where he's just smarter than me in certain ways, I mean.

But I have not been fully successful at focusing on genre fiction, because I have this reflex: if someone mentions a book in my hearing, or on a website or something, I order it from the library and read it. I think I have said before that it's a wonder my friends don't exploit this habit for their own amusement, sending me on wild goose chases after terrible novels and unreadable literary criticism and Tea Party memoirs and distasteful porn.

Anyway, I was on a website where some people were recommending books, and as a result I ended up reading two books about education and one about parenting this month. And now I will say a few things about these books.

School of Dreams: Making the Grade at a Top American High School by Edward Humes.

Whitney High School in Cerritos, California, is one of the highest-ranked public high schools in America. 100% of its graduates go on to college, many of them in the Ivy League or at flagship schools in the California state university system. Edward Humes spent a year at the school interviewing teachers, parents, and students, in the interest of painting a picture of what high school is like at the kind of school that has a reputation so wide-spread that families move into the district from India and Japan in the hopes of enrolling their kids there.

I liked this book better than I expected to. Humes was less interested in an expose than in a description, so the book gives you a picture of what works in the school as well as what might make most of us cringe, like seventh graders pulling highly-caffeinated all-nighters before major tests, and parents who push kids into a very narrow range of options (Harvard, Yale, Princeton, conveniently abbreviated "HYP"; medicine, business, hard sciences) no matter what the kids' interests and aptitudes. Humes doesn't seem too interested in the big questions, but his book shows us what it takes to produce that student body, and invites us to wonder whether it's worth it. A pretty quick read; worth it if you're interested in that kind of thing. Not something I'd put on a list of "10 Books About Education You Must Read," were someone to ask me for such a list.

How to Walk to School: Blueprint for a Neighborhood Renaissance by Jacqueline Edelberg and Susan Kurland.

This book is about the transformation of a failing Chicago public elementary school into a model school, and it is written by one of the mothers who drove the transformation, and the principal of the school. One of the book's flaws is that is is annoyingly self-congratulatory; the group of mothers who joined together to try to improve their neighborhood school is referred to throughout as the "supermoms," for instance. It's a bit grating.

There is no doubt that these moms worked hard. They conceived of their plan while hanging out at the playground with their preschoolers; overwhelmed by the process of trying to find places for their kids in one of the decent public elementary schools (which might get 600 applications for 57 places), or in one of the private elementary schools in Chicago (which might also get an overwhelming number of applications, and then cost $20,000 per year to boot), they decided to see if they could do something about their neighborhood school. It was failing academically; the physical plant was dingy and in need of repair; the building itself was so posted over with KEEP OUT signs that it was intimidating just to approach it.

But they did. The met with the principal and got her permission to transform the place. They set a timeline of one year, just long enough to figure out if they could make it decent enough for their kids to start kindergarten in, and to show enough progress to get other parents to choose it over the magnet-school/private-school lottery. In the second half of one summer, they collected nearly a half-million dollars worth of donated materials and labor, with which they improved the building's exterior, painted the interior, made much-needed repairs, and transformed an unused room into the school's first-ever library.

Yay for them! They certainly deserve some kudos for their vision and hard work, these "supermoms," and I would offer them some except that they are so busy kudos-ing themselves that it would be redundant.

Well, and I won't offer them too many kudos because their story has a much deeper problem than a little too much self-satisfaction: a shocking level of cluelessness about social class issues.

These women achieve something that goes so far beyond ordinary class-cluelessness that I was staggered. I have a friend who is very passionately concerned about social class issues; I kept thinking to myself, "Jeanne must never read this book. You could practically murder Jeanne with this book, just slip it into her bedside to-be-read pile and wait for the inevitable aneurysm..." I honestly did not want to believe that people this unaware existed, but here they are, damned by their own words. No wonder people like Jeanne are so passionate about social class issues.

It starts when they conceive the project, and deliberately decide to proceed without seeking input from anyone outside their group. Their reasons are pragmatic, and make sense to a point: they want to hit the ground running and accomplish a lot very fast, and they're concerned that if they start convening neighborhood meetings and listening to other people's concerns, they'll get bogged down in discussion and controversy and accomplish nothing. I don't think they're necessarily wrong about that; I've been in community meetings myself where action was stalled by nay-sayers, or by competing and incompatible aspirations.

But that decision speaks to a kind of persistent assumption that the Supermoms know best. Unfortunately, they have a very narrow vision: they want to create a school that their kids, and the kids of other people like them, can attend. They are not asking questions about how to best serve a diverse neighborhood, for instance. They are self-congratulatory about things that would have troubled me, such as the high number of professional degrees among their group. It's not that professional degrees are bad; I'd just have been concerned about the insularity of the group. They don't seem to be. The authors crow about a moment when, needing a special permit for something, they are able to get it quickly because one of the group members, an urban planner, has contacts at the city. I'm having trouble making my point. I mean to say that they don't seem to notice that they're not a very representative group. If anything, they revel in the very things that privilege them. They describe what they did as a "blueprint," but don't seem to notice that they have a formidable array of resources that may not be easy for another group to come by. Their driving force is not, "This school is failing the neighborhood children; what can we do to make it better serve its community?"; rather, it's "I want to opt out of this insane magnet school/private school race; how can I make this school good enough for my child?"

Two more examples: At one point, the group is accused of "elitism" for wanting to hold an expensive fundraiser at what they describe as a "posh wine bar." It is very telling that the authors' response is a combination of befuddlement and missing the point: "How can we be elitist?" they ask. "We're working so hard on this fundraiser, working into the night!" And then they smugly claim that the complaints disappeared once the money started rolling in, $17,000 in one night. Yet again, the Supermoms know best! Astonishing.

The most telling moment, though, comes when the authors discuss the decline in enrollment among poor children and African-American children, once the school's turnaround begins to succeed. They are very troubled by this, and the long, introspective passage where they consider the moral and ethical issues involved in "fixing" a school and in the process turning it into a magnet for the upper-middle-class, and where they consider soberly whether there are things they could have done to improve the school while retaining and serving the kids who used to be its core population, is one of the highlights of the book.

Just kidding! Ha ha ha ha ha. They are, in fact, troubled by the decline in enrollment of Black and poor kids...because it becomes a fund-raising challenge. It turns out that both government entities and private foundations prefer to give money where it can help the underprivileged. The authors note without irony that nobody seems to want to give money to help kids who already have everything they need, so once the population of the school reaches a certain percentage of white and middle-class kids, it becomes much harder to get outside money. The lesson they learn: how to find corporate partners.

These moms really are dedicated, hard-working, and high-energy, and they forged a very productive partnership with their local failing school. I just wish they'd done it without making privileged white people look so completely clueless and self-involved.

[Full disclosure: By about halfway through the book, I found the authors so insufferably smug that I started skimming. So it is possible that somewhere in the second half is a section I missed in which they make all this right. If you read it, and find that part, send me an e-mail with the page numbers and I'll post a sheepish and apologetic update.]

Finally, I read The Nurture Assumption by Judith Rich Harris (though not the updated version linked there, the original one). The original was published in 1998, though I thought it was more recent than that--I remember some book whose premise was "parents actually have very little influence over their kids" making a big splash a few years ago. Whatever book that was, I ignored it, as I had ignored this one, until someone called it a must-read and I decided to give it a look.

Harris's premise is indeed that parents have very little influence over their children. She is a big fan of genetics, and she also believes that peers have more influence than parents. Some pieces of her argument are quite persuasive, and I'll talk about some of the points I found worthwhile in a minute. But I didn't trust her. Aristotle identified something called the "ethical appeal" in argument, which is the ways that a person signals that they can be trusted: carrying oneself with authority, for instance, or speaking calmly. I didn't buy Harris's ethical appeal. For one thing, she is too self-consciously radical. She likes to say, "Nobody else is brave enough to say this, but I am," as if early childhood researchers are going to form a mob, storm her house, and burn her at the stake as a heretic.

She also recycles the same examples over and over. Certain pairs of identical twins reared apart show up in chapter after chapter. It's tiresome to read; somebody should really have helped her edit this thing more effectively. But it also made me wonder to what extent she was relying on a handful of studies that supported her claims, and what she was ignoring. I found myself suspecting that if I were to check her sources, I might find that they didn't say what she said they did. I'm not invested enough to do that, but I just didn't trust her. Too axe-grindy.

An aside on the identical twins: she is especially enamored of these twins, reared apart, who, when they met as adults for the first time, had similar haircuts, glasses with rectangular frames, and sons named James. They were also both wearing blue shirts. This is all supposed to point to the mysterious genetic component of behavior, but I was skeptical. I found myself thinking about how similar men's haircuts are in general; how little variation there is in eyeglass fashion (practically everybody I know is wearing rectangular frames right now--because they're the only thing you can get). How common a name was "James" when their sons were born? I remember getting all excited one time because David and I met another couple named Dave and Sue; David laughed at me. He reminded me that "David" and "Susan" were the #1 baby names when we were born; there must be thousands and thousands of couples our age with our names. And, finally, blue has got to be one of the two most popular colors for men's shirts.

I'd have been more impressed if the raised-apart identical twins had shown up for their first meeting wearing Hawaiian shirts, with fresh Mohawks, John Lennon glasses, and sons named Hubert. You see what I mean? I don't think "blue shirt, son named James" rises much beyond coincidence.

Anyway.

What did I find convincing about Harris's argument? Well, she points out that cause and effect can be hard to untangle. A study finds that children who are spanked are more aggressive; does the spanking cause the aggression, or is it true that aggressive children are more likely to be spanked? She says that our pre-existing assumption that parents create their children's behavior leads us to assume the cause-effect arrow goes spanking----> aggression. But she doesn't think the research that has been done establishes that very well.

She also disputes the idea that parents have a character that can be summed up once for all their children: "She's a permissive parent," or, "He's very strict." Most parenting studies look at a cohort of children--a first-grade class, say--and correlate the kids' characteristics with how their parents treat them. But, Harris points out, most people have more than one child, and they are often different with different children. This is certainly true in my experience; I recently blogged about how different I am with Yehva than with the boys. But I was already learning from Eric, when he was my only child, how children create their parents. Harris suggests that if researchers looked at complete families they would find parents' behaviors and attitudes varying depending on their kids' temperaments and challenges.

Here, while I agree with her, I also feel a caution she doesn't seem to. If other researchers are guilty of making "the nurture assumption" and interpreting all their findings in that light, it seems to me that Harris sees children's inborn tendencies as extremely robust; she gives tremendous weight to "child-parent effects." She forgets to be as careful about cause and effect as she wants researchers to be.

I do think she is right that it is very difficult to separate parenting effects from the effects of peers (which she sees as extremely influential, though she says children self-select peers who reinforce their inborn tendencies: a child who tends toward delinquent behavior might be more likely to choose a peer group with similar tendencies) and the wider community. She says that parents do their parenting while embedded in the effects of the genes they have passed down, and in the community of people mostly like them they have chosen. Given all that, she thinks that there is little evidence that the very modest differences between what happens in two houses--an hour of TV vs. two hours per day; a slightly-higher tendency toward harsh discipline in one house, and so on--has much influence on what kids do or how they turn out. And thus, she says, out cultural tendency to praise or blame parents is unfair and misplaced.

Harris has some thought-provoking arguments; the book could have been better.

Friday, July 23, 2010

Well...that'll be an interesting day.

I spent the last couple of days re-watching the entire series of Firefly, Joss Whedon's love-it-or-hate-it story of outlaws eking out a living on the edges of a galactic civilization. Well, not quite the entire thing--I finally had to go to bed last night about 10 minutes into Objects in Space, the final (on the DVD, anyway) episode. It's a creepy one, so I'll wait until after the kids are asleep tonight to finish watching it.

All over the internet, people have said everything that needs to be said about Firefly, so I won't try any deep analysis. Just a few observations:

I still love it.

I was really struck on this watching by how charming I find Morena Baccarin (Inara) when she smiles.

I will go to my grave thinking Inara and Chiana would make great names for twin girls. (Hey, it's better than my other first choice: Scylla and Charybdis.) 80% of the people you met would just say, "Oh, that's pretty"; and the remaining 20% would be divided between people who would do a slow double-take and then high five you; and those who would think "You named your daughters after intergalactic space whores? You're going to the special hell."

Simon Tam's character arc really stood out for me on this watching. He goes from sheltered, arrogant, and kind of hapless to strong and a little bit ruthless (the medical-supply heist he comes up with on Ariel, for instance), yet at the same time more relaxed and easy-going; it's only in the last couple of episodes that we get to see him wearing a pullover sweater and smiling with Kaylee. And his scene with a paralyzed Jayne, after he finds out Jayne called the feds on Ariel to try to get the reward, is just masterful. Boy-to-man all the way for our Simon.

I will always love Badger, and his very fine hat.

Eric and Carl watched "Jaynestown" with me. It's like a test of developmental stages; Eric and I were rolling on the floor laughing, while poor Carl kept saying, "Why is that funny? Why is that funny?"

One of the problems I always had with Star Trek: Voyager was how quickly the Maquis crew integrated with the Federation crew; the show didn't do a good job of maintaining the tensions there. Firefly comes off pretty well by comparison, especially in maintaining the tension Jayne brings to the crew. But when you think about all the various tensions swirling among the nine people on Serenity, it goes a lot deeper than "Jayne would cut your throat for a dollar."

I love that Kaylee complains in the very first episode that they need a spare compression coil, and Mal says they can't afford it and will have to make do. "That coil busts, we're drifting," she tells him. Seven episodes later, it busts, they're drifting, and this is what sets the action of "Out of Gas" going.

Other extended foreshadowing, from the end of the pilot: Mal: How come you didn't turn on me, Jayne? Jayne: Money wasn't good enough. Mal: What happens when it is? Jayne: Well... that'll be an interesting day. When they get to Ariel, eight episodes later, it is indeed an interesting day.

The developing friendship between Jayne and Book is very well done in the incidental bits before and after more important business.

In "Trash," when Mal calls Saffron/Bridget/Yolanda "YoSaffBridge," a mashup of the three names he's known her by, it was captioned as "speaking Chinese." Heh.

When Wash and Mal are taken by Niska, what follows is the most hilarious extended-torture scene in the history of filmed entertainment. But it's really just a riff on what got to be a pretty tired Buffy meme, the Scoobies combining doing something really mundane (arguing about their relationships, studying for the SAT) with something heroic and/or supernatural (fighting demons, sitting around the cemetery waiting for a newly-spawned vampire to emerge from the grave so Buffy can stake it). Amazing they could dust it off and make it work again.

Like every other fan, I want more Firefly. And yet I think the show did just about everything it needed to in these 14 episodes; Inara and Mal were even dangerously close to getting together (likewise Simon and Kaylee), and we all know how the life goes out of a show once the sexual tension between the bickering leads is resolved. Jayne was humanizing, too. Maybe it's better to have 14 strong episodes and a bit of longing than to have to suffer through a sub-par second season. This is how I try to comfort myself.

You should all be glad I don't have a smartphone or my Facebook page all afternoon and evening yesterday would have been an endless stream of Firefly quotes.